Description
DISC ONE: FUTURE Stereo GNP Crescendo LP GNPS 2038 (1967) |
||
1. | Intro/March of the Flower Children | 2:52 |
2. | Travel with your Mind | 3:10 |
3. | Out of the Question | 2:16 |
4. | Painted Doll | 3:24 |
5. | Flower Lady and her Assistant | 3:29 |
6. | Now a Man | 3:21 |
7. | A Thousand Shadows | 2:30 |
8. | Two Fingers Pointing On You | 3:13 |
9. | Where is the Entrance Way to Play | 2:52 |
10. | Six Dreams | 3:11 |
11. | Fallin’ | 7:45 |
Bonus Tracks – Mono Mixes | ||
12. | Chocolate River (2013) | 3:09 |
13. | Sad and Alone (2013) | 2:22 |
14. | The Wind Blows You Hair (Version 2) (2013) | 3:09 |
15. | Travel with your Mind LP GNP 2038 (1967) | 3:06 |
16. | Painted Doll LP GNP 2038 (1967) | 3:23 |
17. | Flower Lady and Her Assistant LP GNP 2038 (1967) | 3:17 |
18. | Now a Man LP GNP 2038 (1967) | 3:20 |
19. | Two Fingers Pointing On You LP GNP 2038 (1967) | 3:11 |
20. | Where is the Entrance Way to Play LP GNP 2038 (1967) | 2:52 |
21. | Six Dreams (Alt mix) (2013) | 3:01 |
22. | Fallin’ LP GNP 2038 (1967) | 7:42 |
23. | The Navy Swings (2013) | 1:03 |
DISC TWO: CONTACT HIGH: the “Future” sessions | ||
1. | Rides Too Long (2013) | 2:58 |
2. | Chocolate River GNPS 2107 (1977) | 3:10 |
3. | Flower Lady and Her Assistant (Take 1) (2013) | 4:11 |
4. | Where is the Entrance Way to Play (Alt mix) (2013) | 2:55 |
5. | Sad and Alone LP GNPD 2218 (1993) | 2:45 |
6. | Contact High (Take 1) (2013) | 3:35 |
7. | Travel with your Mind (Alt mix) (2013) | 3:12 |
8. | Six Dreams (Take 4) (2013) | 3:00 |
9. | Two Fingers Pointing On You (Take 1) (2013) | 3:03 |
10. | The Wind Blows Your Hair (Version 2) LP GNPS 2107 (1977) | 3:08 |
11. | March of the Flower Children (Alt mix) (2013) | 1:49 |
12. | A Thousand Shadows (Take 7) (2013) | 2:27 |
13. | Gyspsy Plays His Drums (Version 1) (2013) | 5:33 |
14. | Satisfy You (Version 1) (2013) | 2:32 |
15. | 900 Million People Daily All Making Love (full length version) LP GNPD 2218 (1993) |
9:44
|
1967 was an amazing time for Saxon, Daryl Hooper, Jan Savage and Rick Andridge, one where the hard work of the previous two years was finally paying off. Its first six months likely represented the zenith of their career. The ascendant quartet seemed completely in the vanguard, with a major national hit under their belt and a public profile inflated by a manager who was an expert manipulator of the media. The act was also notable in that their first three hits – ‘Pushin’ Too Hard,’ ‘Mr Farmer’ and ‘Can’t Seem To Make You Mine’ – had all been completely different in structure, but shared a common and instantly identifiable sound. And two of these singles were a year or more old at the time that they enjoyed their greatest popularity. The eponymous debut album and its sequel “A Web Of Sound,” had solidified the attitude implied by the hits, and saw the group made defiantly outrageous gestures, both musically and visually. What would the Seeds’ next move be?